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Bari Weiss Resigns from the New York Times

Her resignation letter is fascinating, and what we suspected is happening, is. Calling it American Pravda is not an exaggeration.

 

“….a new consensus has emerged in the press, but perhaps especially at this paper: that truth isn’t a process of collective discovery, but an orthodoxy already known to an enlightened few whose job is to inform everyone else.

“Twitter is not on the masthead of The New York Times. But Twitter has become its ultimate editor. As the ethics and mores of that platform have become those of the paper, the paper itself has increasingly become a kind of performance space. Stories are chosen and told in a way to satisfy the narrowest of audiences, rather than to allow a curious public to read about the world and then draw their own conclusions. I was always taught that journalists were charged with writing the first rough draft of history. Now, history itself is one more ephemeral thing molded to fit the needs of a predetermined narrative.\…”

“Part of me wishes I could say that my experience was unique. But the truth is that intellectual curiosity—let alone risk-taking—is now a liability at The Times. Why edit something challenging to our readers, or write something bold only to go through the numbing process of making it ideologically kosher, when we can assure ourselves of job security (and clicks) by publishing our 4000th op-ed arguing that Donald Trump is a unique danger to the country and the world? And so self-censorship has become the norm.

“All this bodes ill, especially for independent-minded young writers and editors paying close attention to what they’ll have to do to advance in their careers. Rule One: Speak your mind at your own peril. Rule Two: Never risk commissioning a story that goes against the narrative. Rule Three: Never believe an editor or publisher who urges you to go against the grain. Eventually, the publisher will cave to the mob, the editor will get fired or reassigned, and you’ll be hung out to dry.”

The Wheel of Leftism

Hat tip to Oleg Atbashian, the former Soviet agitprop-painter whose cheerfully satirical website, the People’s Cube, reminds us of the Soviet nature of popular propaganda. Atbashian had recognized the Leftist nature of the media long before I realized that he was not kidding or exaggerating. Though I had long realized the leftist nature of CBC, the Globe or the Toronto Star, it took me several decades to realize the depth of their commitment to the “we are always wrong” interpretation of world events. Have you ever had one of those conversations where the words “campus rape culture” was used seriously? Atbashian has carefully summarized the tropes by which any conversation may be derailed. The point is never the point. It is always the Revolution.